#Mio console headphone feeds how to
#Mio console headphone feeds Patch
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#Mio console headphone feeds software

That way, you won’t have to remember to bypass the speaker calibration plug-in when you bounce a mix, because the Monitor Output is not in the bounce path.

#Mio console headphone feeds software

The fader on this Monitor Output track is, in effect, my monitor level control.Īnother advantage of this technique is that if you use speaker calibration software with a plug-in, such as Sonarworks Reference or IK Multimedia’s ARC, the plug-in can be placed on an insert on the Monitor Output channel rather than on the master fader channel. This output is routed to two spare outputs of my interface, which I have labelled in the Output tab of my I/O Settings window.

#Mio console headphone feeds Patch

(This allows me to drop in and patch changes to a previously rendered mix rather than re-bouncing the whole session - and as I work on documentaries and dramas up to one hour in duration this is a very useful and time efficient way of working.) A bus called ‘Mastering Output’ feeds the output of my Mastering Track to the input of my Bounce Track, and it is this ‘Mastering Output’ bus that I have selected as the input source of my Monitor Output track.

I am using it as an alternative to a conventional master fader, partly because I can then feed its output to an audio track and render my mixes using Bounce to Track rather than Bounce to Disk. As the name suggests, this Mastering Track hosts any plug-ins I want to apply to the whole mix. I have two stems called ‘Voices’ and ‘FXs’, which feed the input of my Mastering Track using the bus ‘Mastering Input’. Create an Aux track, and set its input to your main mix bus and its output to a pair of physical outputs on your interface.

#Mio console headphone feeds pro

This, in turn, feeds an audio track that can be used to record bounces, and the Monitor Output Aux, which feeds studio monitors.The first step is to create a dedicated stereo output from Pro Tools to your monitors. Screen 1: A simple monitor control setup: the two stems (left) feed the Mastering Track Aux input, which hosts any master bus processing. This process will be easier if you have an understanding of how the Pro Tools mixer and routing are structured. To get around this, we need to create a dedicated output for your monitor speakers with its own level control.īut before we start, I must stress that for this system to work and be easy to use, it’s essential to label all the inputs, outputs and busses you’ll be using. If you have any dynamics plug-ins on your master fader channel, adjusting the master fader will change the level of audio going into these plug-ins and increase or decrease the amount of compression being applied. This is OK up to a point, until you come to bounce out your mix, at which point the master fader level matters a lot - not least because, in Pro Tools, the master fader track is the one place where the inserts are post-fade. I have lost count of the number of users I have seen use the master fader on the session as the monitor level control.

#Mio console headphone feeds how to

If you have your stereo monitor speakers fed directly from a pair of interface outputs, and your interface does not itself have an output level control, the first problem you need to resolve is how to adjust the monitor speaker volume. You will need some spare inputs and outputs on your interface to enable some of these features. In this workshop, we’ll look at how best to do this, and how to save the results as a template session that you can use on all your projects. Some audio interfaces include basic monitor control, and stand-alone hardware monitor controllers are available, but it’s also possible to set up the functions you need within the Pro Tools mixer.

Nowadays, many of us no longer use a ‘real’ mixer, but those functions are still just as important. In the days when studios always had a hardware mixer, functions such as talkback, mono fold-down and speaker switching would be handled from its master section. Here’s how to add them to the Pro Tools mixer. Some of the most important features of a hardware console are found in its master section.